Primary source · Greek
The Later Greek Versions: Aquila and Symmachus
Aquila of Pontus · Symmachus the Ebionite · Aquila c. AD 130 · Symmachus c. AD 190
What this text is
The two great post-Christian Jewish translations of the Old Testament — Aquila's hyper-literal word-mirror ('a slave to the Hebrew letter', said Jerome) and Symmachus's fluent idiom. Both survive only in wreckage: Hexapla marginalia, patristic citations, and palimpsest leaves. TRAGEDY: the Hexapla original at Caesarea, too vast ever to be copied whole, perished with the library in the seventh century.
Profile of Aquila the Translator →
Public-domain translations
Working translation (fragments, ed. Field)
Genesis 1:1 in Aquila's manner: 'In heading founded God the heavens and the earth' — the Hebrew word-order kept at any cost; where Symmachus renders, 'In the beginning God created.'
Manuscript witnesses
Cairo Genizah palimpsests (Cambridge, T-S 12.184 etc.)
6th c. under-writingAquila's Kings and Psalms recovered from reused synagogue parchment — the only continuous stretches of his text.
Codex Ambrosianus of the Syro-Hexapla
8th–9th c.Paul of Tella's Syriac (616) preserves the Hexapla's margins, with hundreds of Aquila and Symmachus readings.
Mercati palimpsest (Milan, Ambros. O 39 sup.)
9th–10th c.Psalter columns in parallel — the closest surviving image of Origen's page.
Field, Origenis Hexaplorum quae supersunt
1867–1875The great Oxford collation of every recoverable fragment; still the citation base.
Provenance
Palestine and the diaspora synagogues; gathered by Origen into the Hexapla's third and fourth columns
Editions & scholarship
Critical editions and standard translations behind the text above.
- Origenis Hexaplorum quae supersuntFrederick Field, 1875The standard collection of the fragments.
- The Septuagint and Modern StudySidney Jellicoe, 1968Balanced critical orientation to Aquila, Symmachus, and the Hexapla's fate.
- A New English Translation of the Septuagint (introductions)Albert Pietersma & Benjamin G. Wright (eds.), 2007Modern critical framing of the later versions.